ALTAR OF REFLECTION
BY: Richard III
(2021)


Altar of Reflection
By: Richard III
Medium: Acrylic on Stretched Canvas
Dimensions: 16in x 20in
Year: 2021
Status: Private Collection / Available
Altar of Reflection : The Refiner’s Fire
This self-portrait stands as a visual testament to a period of intense, spiritual metallurgy. Captured during a season of profound transition—marked by separation, relocation, and the dismantling of a previous life—the work explores the biblical concept of being "refined as gold in the furnace."
The background is a searing field of crimson and gold, representing the heat of tribulation and the Alchemy of Hardship. Visually, the gold is not merely decorative; it is the atmosphere of the refiner’s furnace. This mirrors the imagery found in Zechariah 13:9: "I will bring the third part through the fire, refine them as silver is refined, and test them as gold is tested." The crimson suggests the cost of this process—the sacrifice and the weight of a life being stripped back to its essence. The figure is positioned in the center of this heat, not as a victim, but as a subject undergoing a purposeful transformation.
The subject’s hands are joined in a gesture that bridges the gap between a "weathered" past and a destined future. The heavy use of deep umbers and earth tones in the skin suggests a man returning to his original "dust"—a return to the spiritual foundations installed in childhood. The white highlights on the knuckles and brow act as visual "seals," representing the strength that emerges only after the fire has done its work.
The work is a study in stillness. While the background suggests a volatile, rising heat, the figure remains strikingly still. This posture of reflection illustrates the moment a man stops fighting the fire and begins to use it to his advantage. The furrowed brow and the direct, unblinking gaze suggest a deep contemplation of purpose. He is examining the blueprints of his life, deciding what must be discarded and what is worth saving.
Ultimately, the painting is an analysis of a man in the midst of "remodeling." It captures the solitary space where the Father is sought through the flame. The duality of light and shadow on the face serves as a reminder that the refining process is a courageous act of self-examination—a visual "scarring and sealing" of the soul to prepare it for the journey ahead.
"But he knows the way that I take; when he has tried me, I shall come out as gold." — Job 23:10
